“One foolish bias could stand in the way of thousands of interesting encounters.”Ashfall Legacy, Pittacus Lore
- Head Writer: Jeremy Slater
- Directors: Justin Benson, Mohamed Diab, Aaron Moorhead, George Clooney
- Stars: Oscar Isaac, Ethan Hawke, Gaspard Ulliel, May Calamawy
Wow, the way his eyes light up, the suit and how it wraps around him is so cool, I love it. The show seems a bit darker, leaning into the horror aspect of the character, which I appreciate but we’ll see if that’s the case during the season. The story looks like it’ll follow one of Marc Spector’s personalities has they try to figure out what happened to them. Since Marc is a veteran who struggles with dissociative identity disorder it should be interesting to see him trying to figure out what’s happening as he’s being chased or hunted down by people he doesn’t know, also while one of his personalities protects him.
Moon Knight premiers on Disney+ on March 30th.
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“I don’t want to live the wrong life and then die.”
Ex-military policeman Jack Reacher is a drifter. He’s just passing through Margrave, Georgia, and in less than an hour, he’s arrested for murder. Not much of a welcome. All Jack knows is that he didn’t kill anybody. At least not here. Not lately. But he doesn’t stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.
How was it?
My first experience of Jack Reacher was the Tom Cruise Jack Reacher: Never Go Back version back in 2016 and the trailers for the 2012 movie before that. So I was curious about the original book version.
It starts out very slow and methodical, just like how Jack Reacher seems to be. A quiet man who observes, analyzes and acts accordingly. We are taken along on his thought processes and see how he scrutinizes everything around him. It’s quite fascinating if it weren’t for how obvious the bad guys were. Maybe the trailer for that first Cruise Reacher movie spoiled this book for me and that opening scene from the trailer seems to be summing up this story.
Another striking thing about Reacher, he’s not willing or eager to help, at first. He intervenes when he has to and when it serves him. He might be a bit selfish but to me it came off as a guy who just minds his own business. However the reason why he gets involved into the case made sense, yet seemed a bit too coincidental. Too much time had been spent establishing that he didn’t want to get involved so it had to be something big enough for him to join the investigation.
Although there is a small chunk that I zombie read, I’m pretty sure there are some plot holes in this book, an obvious one for me was the big deal that was made of Reacher not carrying any ID but he somehow took a plane and I don’t remember him going to get his ID or nothing. The other thing that really doesn’t make much sense is how Finlay got his job because they needed an idiot for it but there’s someone involved in the scheme at play here that who should’ve known that he’s a competent investigator.
So there are major non-sensical things in this book but it still entertains. It never became a chore to read or boring for me, despite admitting zombie reading some of it. It is a bit cliché for sure but the investigation part of the story was good even thought I would have expected it to be more action driven.Kindle Unlimited Membership Plans
“We all have a lot of dreams, and some of them can’t be realized.”Nicole Kidman
The Wheel of Time is a high fantasy series inspired by the bestselling book series by Robert Jordan, with three of the 15 novels written by Brandon Sanderson after Jordan’s death. Writer producer Rafe Judkins (Agents of S.H.I.E.L.D., Hemlock Grove) is at the helm of the show and in the cast we have familiar names and faces like Rosamund Pike (Gone Girl, Jack Reacher), Michael McElhatton (Game of Thrones, The Rook), Daniel Henney (Big Hero 6, X-Men Origins: Wolverine), and relative unknowns like Barney Harris (Billy Lynn’s Long Halftime Walk), Madeleine Madden (Picnic at Hanging Rock), Marcus Rutherfod (Bulletproof), Josha Stradowski (Just Friends), Zoë Robins (The Shannara Chronicles), Alexandre Willaume (Tinker Taylor Soldier Spy).
Premise: Unlike the books, the focus of the series is on Moiraine, a member of the Aes Sedai, a powerful organization of women who can use magic. She takes a group of five young men and women on a journey around the world, believing one of them might be the reincarnation of the Dragon, a powerful individual prophesied to either save the world or destroy it.
Review: The three episode premiere was impressive, fast paced and engrossing. The rest of the season followed in that vein delivering surprises after surprises and great character moments for all involved. The story telling is expedient and very streamlined, there are little to no dull moments ; it might be frustrating for some book readers and longtime fans, all the melded of places and modified action pieces, but for me who’s read book one – so far – it was an enjoyable journey that kept the heart and spine of “The Eye of the World“.
In an adaptation perspective, I’m impressed with how well the show covers hundreds of pages in a few minutes of screen time without the material getting lost in translation. Given the many surprises I got in the series, I suspect that they’ve also pulled relevant elements from later books and put them in season one.
I went into the series waiting to see how Perrin would turn out in live action but quickly become a Nynaeve fan. Perrin’s still my boy but Nynaeve storyline and love interest was sweet and made much more sense here than in the novel where it seemed to come out of nowhere. The same goes for Egwene and Perrin’s run-in with the white cloaks – who seem far more dangerous on the show – and how it was handled, allowing for subtle character development while giving them more agency. That’s kind of the way most characters are threated, with incremental and sometimes subtle character development, except maybe for Mat – who annoyed me to no end in book one – but they’ve done him dirty. Although interesting, the way they changed him, they’ve made him more of deadweight than he’s supposed to be. Isn’t he the one skilled with the bow and arrow? Here he’s almost useless.
They’ve also cleverly depicted the white cloak as the aggressors, the bad guys by depicting their disregard from people’s – women – personal space, their attack on the Tinkers. The way the main characters are handled is more interesting, it’s less obvious here who the Dragon Reborn is, and a better job is done to highlight the importance of the others. I appreciate the show for limiting the amount of cat fighting, because at one point it felt like most of the women had some sort of beef with each other.
The show falters in a few way but the most striking ones for me is how the Dragon Reborn reveal was handled, that was not it, and the Dragon’s battle against the Dark One, was a bit Wonder Woman 1984 – a bit anti-climatic.
The cinematography is great, the set and costume designs are amazing, and the VFX is good – I’m hopping for even better later on. As for the cast, they are excellent, from the main cast to the recurring one, they’ve picked them well. I still have my favorites though.
Season one of The Wheel of Time is captivating, visually arresting, and well worth the watch and re-watch. Season two can’t come fast enough.
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Review: Following a group of seemingly unrelated people during the outbreak and years into a deadly pandemic, Station Eleven tells the story of those who crossed paths with actor Arthur Leander. The three episode premiere sets the stage for the saga of these individuals in a very enigmatic and suspenseful way.
Right off the bat I loved the glimpses to the future we had in the pilot. Some strong choices were made in adapting this story and I love how Jeevan and young Kirsten’s stories were intertwined because for one it gave the situation a sense of urgency and limited option, and two showed Jeevan’s character. He went the extra mile to help a total stranger during a crisis, maybe it was due to the fact he didn’t think the flu was that bad but I think he’s just a decent man who did what he could to help. Yet at the same time he also seemed a bit unhinged, which why the plane scene was so important because it validated Jeevan’s fear to the others.
It was interesting to me when and where they decided to go, when jumping to adult Kirsten’s life, I thought it set up the traveling symphony and the people living in this post Georgia flu world well. It gave us a sense of how things have settled after the mayhem of the first years of the pandemic.
For some reason, I began to think that we’d be spared the Hollywood part of the story, even though I knew that the dinner scene was important, so I’m glad it’s here because it was awesome, I loved every bit of it.
The show seems to be doing justice to the novel so far, with its somewhat confusing time jumps in depicting this beautiful and tragic story.
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